Tango by Violeta Ramos for 4 harps

New publication from Creighton's Collection
Tango for 4 harps
Violeta Ramos

Of all Argentinian genre of music by far the best known world wide are the Tango and Folklore. This piece is arranged to enable students to play the tango easily but it is not a strictly traditional tango because it has sections of Folklore rhythms which give the music a wonderfully cheerful tone. 

All four harp parts can be played with one hand by students of varying in ability from intermediate to advanced level. 

The composition is dedicated to Violeta Ramos’ son Ignacio Quimey, it is a mother’s gift which reflects her love and respect of the music and its heritage in a family where Tango and Folklore are an integral part of everyday life for the entire family.

Violeta Ramos (originally from Argentina) is a classical guitar and Paraguayan harp teacher at a number of schools in Switzerland. Her artistic career started in Buenos Aires when she was 16, taking part in guitar and harp festivals across Latin America and in Europe, representing both her own native country, Argentina, and that of her parents, Paraguay.

Violeta Ramos has composed a number of solos and duets with other instruments for the advanced / professional harpist. She has also composed music, such as this work, for harp students who wish to learn more about Latin rhythms. Her compositions are edited by Creighton's Collection.

She regularly organises benefit concerts with both student and professional musicians to support a number of charities operating in Latin America and Africa which work with children or provide environmental protection.

Price: £10 + p&p for score & set of parts

View more info at www.creightonscollection.co.uk

Quartets for Harp accomp by Flute, Violin & Bass

New Sheet Music Publication from Creighton's Collection

Three Quartets for Harp
with accompaniment of Flute, Violin & Bass
CFD Hoffmann - Edited by Mike Parker

Although composed for the lighter, more slight tones of period instruments, these quartets can transfer very successfully to modern instruments with a little care in tone and articulation. Some movements will transfer directly to the modern lever harp, and the others could, with a little careful editing, and pre-planning could be made to sit quite comfortably on that instrument. This publication benefits from a comprehensive Forward, including notes on ornamentation by Mike Parker.

Published Price:  £24.00 plus postage

Supplied as a wire bound A4 score (64 pages) and a set of A4 stapled parts

Click here for further details

Click here to buy on line 

Pages 1 & 2 from the score of the first quartet

New CD & Launch Gig: 1 Man Band

1 Man Band by Ben Creighton Griffiths
CD Release date 4th February 2017

1 Man Band, is a varied recording of Ben's work. It contains a mix of styles and genres, acoustic and electronic music, and well known tunes and new original music. It features solo harp, solo piano, and mixed tracks as well as one duet (The Station) with percussionist Matthew Williams. Recorded at Acapela Studios in the summer of 2016 and mastered by Reel Time Studios, 1 Man Band is an exciting and fresh approach to the idea of Harp, Jazz, and Jazz Harp.

1 Man Band - CD Launch Concert

8.00pm Saturday 4 February 2017
Acapela Studio Pentyrch, Cardiff, CF15 9QD

Box Office - Tel: 08448 700887 
click to buy tickets on line at Ticket Source



Tracks on the CD
1. Caravan - Ellington/Mills/Tizol  
2. You've Got a Friend In Me - Randy Newman  
3. Maiden Voyage - Herbie Hancock  
4. Turn Out The Stars - Bill Evans  
5. Time On My Hands - Gordon/Adamson/Youmans  
6. A Night In Tunisia - Gillespie/Paparelli  
7. Morning - Clare Fischer  
8. The Station - Creighton Griffiths/Williams

You can pre-order the CD from Creighton's Collection

From the CD notes:

For this recording I was not aiming to make a Harp CD, a Jazz CD, or even a Jazz Harp CD instead 1 Man Band is a snap shot of where I am at this point in my development as a musician - a showcase of what I'm enjoying doing at this moment in time.

The beauty of the Creative Industry is that everything is constantly under review and development, my music changing as I change and mature as a musician. For this project I've taken blends of some genres that I love (like Gypsy Jazz, Reggae, and Funk) utilised both electronic and acoustic music, and included a variety of different tones and timbres reflecting the live music I perform on a regular basis. I have also, for the first time in my life, prepared solo piano works for public performance, one of which is recorded on this CD. One aim of these recent developments is to create a variety in my performances that goes beyond that which is possible for me as a soloist on a single instrument.

Going forwards I have many ideas that require further experimentation and refinement. Continual development of my solo harp playing is of huge importance, as is the advancement of my work with electronics, both with the harp and with synths & keys. Following on from the solo piano work undertaken for this project I also want to develop my piano playing further, particularly in the more traditional jazz styles.

Perhaps the most important pointer for the future demonstrated on this recording is 'The Station'. While this track truly belongs to another project that is currently in the works I wanted to provide it as a preview. My great friend Matthew Williams and I have created a group called Chube – rather than being a regular band our aim is to be the nucleus of a group of like minded musicians writing, arranging, and recording tracks together. This group based work is something that I feel will give me more opportunities as a composer as well as a performer and we look forward to developing the project during 2017.

On an overgrown path by Leoš Janáček

Po zarostlém chodnícku
On an overgrown path 
Leoš Janáček
arranged for Flute, Harp & Cello by Ernestine Stoop

Born in Moravia (Brno) the son of a school teacher, Leoš Janácek was a gifted child who showed musical ability from an early age.

The music he composed before 1900 gave no indication of the road he was about to take - leaving the path of the traditional, classic romantic structures he was using, he developed his own unique treatments of harmony and rhythm. Only Debussy had made a comparable move in composing. The opera ‘Jenufa’ (1904) was Janácek’s great break-through.

During this period of development the musicologist Jan Branberger asked him to submit a contribution for piano, violin or voice for inclusion in a budget edition of miniature compositions. It took Janácek about 10 years to finish the compositions which became the cycle ‘On an overgrown path’ (1900-1910). Originally intended for harmonium it was finally scored for piano.

Leoš Janácek wrote: “The little pieces ‘On an overgrown path’ contain distance reminiscences. Those reminiscences are so dear to me that I do not think they will ever vanish. Whenever I have a moment to indulge myself undisturbed in these recollections, then I find another such little piece comes to mind. It is on an overgrown path. There is a love song on the path, too, as well as the bitterness of disappointment.”

Ernestine Stoop arranged these 10 pieces for flute/alto-flute, violoncello and harp.

When asked to play a ‘Balkan’ programme, her decision to perform Leoš Janácek’s ‘On an overgrown path’ was not a difficult choice. The simple and honest beauty of each piece speaks for itself.

The choice of instruments was obvious: the flute and especially the hoarse sound of the alto-flute are perfect for most of the melodic parts, the violoncello is a beautiful instrument to colour the flute and take care of the harmonium part, the harp (like the piano) takes care of the harmony and rhythm most of the time. (the harp plays the beautiful chords-solo in the Frydek Madonna).

This edition is dedicated to Harrie Starreveld, flutist and Eduard van Regteren Altena, cellist. They have been the ideal musicians to help me improve the arrangement.

For further information visit Creighton's Collection

Miroirs - Ravel arr. for 2 harps by Ernestine Stoop

Miroirs by Maurice Ravel
arr. for two harps by Ernestine Stoop

I was asked by a friend to play ‘La vallée des cloches’. When I saw the whole cycle ‘Miroirs’ I started to be fascinated by the music and wanting to play the music I thought it would be best to use two harps. Once I started I got so involved in the beautiful notes that I almost forgot to sleep. To take part in following the paths of such a genius has been a treat.

The five different compositions of the cycle have very figurative titles and Ravel placed these in different times of the day:

‘Noctuelles’ at midnight
‘Les oiseaux tristes’ during the siesta
‘Une barque sur l’océan’ in the twilight
‘Alborada del gracioso’ at sunrise
‘La vallée des cloches’ at noon

For further information please visit Creighton's Collection

New Publications from Creighton's Collection October 2016: 

From the Land of the Long White Cloud 

Solos for Intermediate lever Harp by Anna Dunwoodie 

Volume 1
The Copper Rose (waltz) Telynor (air)
Madame Vinegar (waltz)
The Sonsie Lass (slow jig) Windmill Road (slow reel)
As He Gently Breathes (air)

View at Creighton's Collection

Volume 2
The Heron (waltz)
The Resolved Dispute (air)
Miss Laura Robertson (jig)
Lesley's Waltz (waltz)
Planxty Rosemary (waltz)
Always There (air)

View at Creighton's Collection

Volume 3
Clarence Street (waltz)
Mweenish (air)
Jamie's Hiccups (hornpipe)
The Appin Lament
The Fallen Apple (lament)
The Wedding Waltz

View at Creighton's Collection

Volume 4

West Park Waltz 

Skerryvore (lament) 

Vinegar Hill (air) 

Bev's Fancy (slow reel)

Fru Sally (slow reel)

Mrs Raewynn Robertson (air)

View at Creighton's Collection

New Harp Duet: Grand Duet - John Thomas

Grand Duet
John Thomas 
Pencerdd Gwalia (1826-1913)

Both the Grand Duet (1865) and the Souvenir du Nord of 1854 (Adlais 164) are dedicated to a Welsh-born patroness. “Mrs. Lucy of Charlecote Park” was born Mary Elizabeth Williams at Bodelwyddan Castle, St. Asaph, and both she and her sister “Miggy” (later to become Lady Willoughby de Broke) were talented harpists.

In her book Mistress of Charlecote: The Memoirs of Mary Elizabeth Lucy, Alice Lady Fairfax-Lucy quotes a very amusing account of the Abergavenny Eisteddfod of 1853 which led to Mrs Lucy's first meeting with John Thomas at Llanover, and to her subsequent lessons with him at her home. “Mr. Thomas kept me to scales and exercises for the first year, and I did learn his way, and before I was very much older, I was able to play many a difficult duet with him. I would get up an hour earlier to have a good practice before breakfast, and I would go to sleep trying to hold my thumb up.” As her harp teacher, “Mr. Thomas” became a frequent guest and partner in duets on their Erard harps. As an enthusiastic patroness, Mrs Lucy attended his concerts over a period of some 35 years.

John Thomas composed duos, both for two harps and for harp and piano, throughout his life. For the most part, these compositions were operatic fantasias and duos based on familiar Welsh folk melodies. The Grand Duet is an exception, as whereas the others are concert arrangements, this one duet is an original composition.

Ann Griffiths, 2016

Published by Adlais Music Publishers

Printed & distributed by Creighton's Collection

Published Retail Price - £14.00 (set of parts)

Further information available at www.adlaismusicpublishers.co.uk

New Baritone & Harp Music - Michael Stimpson

Dylan for Baritone & Pedal Harp
Michael Stimpson
Words Dylan Thomas
Edited Sioned Williams

The song cycle, Dylan, is a chronological account of the life of the Welsh poet Dylan Thomas. Each song is preceded by a short spoken text, and these, together with the words used for the songs, date as closely as possible to the period and subject matter in question. Many of the striking elements of Dylan’s life are included: the controversy of his character, poverty, alcoholism, the tempestuous relationship with his wife Caitlin, America, and of course his remarkable ability to write and speak so astutely and evocatively.

Published by Creighton's Collection
Published Retail Price - £15.00 (full score) / £8.00 (alternative baritone only part)
Further information available at www.creightonscollection.co.uk

Dylan is recorded on the Stone Records CD "Dylan" 
Performed by Roderick Williams (baritone) & Sioned Williams (harp).
The CD is available from Creighton's Collection - £12  +p&p

Promotional Video from Stone Records using the music from Dylan

New Harp Music - Michael Stimpson

The Drowning of Capel Celyn Solo for Pedal Harp
Michael Stimpson
Edited Sioned Williams

Capel Celyn, a village near Bala in North Wales, was flooded in 1965 to create a reservoir for Liverpool. People were devastated as the water rushed into the valley, drowning the Chapel, Quaker Meeting House, the Post Office, and a number of cottages. There had been considerable protests, including the bombing of a transformer on the site of the dam structure, and in many respects the controversy had wider and longer-term consequences. Michael Stimpson wrote this work to mark the 50th anniversary of the flooding in 2015, as well as the 60th birthday of Sioned Williams.

Published by Creighton's Collection
Published Retail Price - £8.00
Further information available at www.creightonscollection.co.uk

The Drowning of Capel Celyn is recorded on the Stone Records CD "Dylan" 
Harp solo performed by Sioned Williams.
The CD is available from Creighton's Collection - £12  +p&p

Promotional Video from Stone Records using the music from The Drowning of Capel Celyn

New Harp Music: Así hablan los Ángeles by Violeta Ramos

Así hablan los Ángeles 
Violeta Ramos

Así hablan los Ángeles, for Paraguayan harp, was inspired by a phrase from Paulo Coelho’s book, Maktub. "Our Angel is always there, and sometimes, if we need help, he uses someone’s lips to tell us something, but this answer comes in a casual way, generally at a moment when we don't let our worries darken the miracle of life." 

The score is supplied with a study recording CD.

Published retail price £10

For further information & to listed to the study recording please visit our web site: Creighton's Collection 

New Harp Music: Hamabe No Uta - Monika Stadler

Harp Sheet Music from Creighton's Collection
New Publication 8 February 2016

Hamabe No Uta (Song of the beach / Das Lied vom Strand)
Monika Stadler

Hamabe no uta (Song of the Beach) is one of the most popular and beloved Japanese folk songs written in 1914 and arranged here for pedal harp by Monika Stadler. Hamabe no uta talks about memory and reflection. Hamabe no uta is recorded on the CD "Everything will be all right" by Monika Stadler.

Published retail price £7
Available from Creighton's Collection

Hamabe no Uta

(浜辺の歌)
By Hayashi Kokei & Narita Tamezou

Ashita hamabe o samayoeba
Mukashi no koto zo shinobaruru
Kaze no oto yo kumo no sama yo
Yosuru nami mo kai no iro mo

Yuube hamabe o motooreba
Mukashi no hito zo shinobaruru
Yosuru nami yo kaesu nami yo
Tsuki no iro mo hoshi no kage mo

Translation

In the morning as I wandered about along the seashore
I remembered things from the old times
The sound of the wind, the shape of the cloud
The wave that came and the colour of the seashell too

At dusk as I wandered about along the seashore
I remembered people from the old times
The wave that came, the wave that went away
The colour of the moon and the light of the star too

New Harp Music: Six Manger Carols by Alyson Roberts

Harp Sheet Music from Creighton's Collection
New Publication 20 November 2015

Six Manger Carols by Alyson Roberts 
for young voices with piano and harp accompaniment

Two of these carols, Pitter Patter and Christmas Bells, were written for the Key Stage One carol service at the primary school where I started my teaching career as a music specialist. The remaining four were written for the three young musical friends to whom the set of six is dedicated. The accompaniment is intentionally light. Young voices are not very strong and need plenty of melodic support. The piano part is playing the melody along with the children. The harp part is an instrumental descant which can be played for all or just some of the verses. Alyson Roberts

Published retail price £10

Available from Creighton's Collection



Six Manger Carols
1. Pitter Patter 
2. Sleep Baby Jesus Sleep 
3. Light a Candle 
4. Baby Jesus 
5. See Him Lying 
6. Christmas Bells

New Harp Music: Die Birke (The Birch) by Monika Stadler

Harp Sheet Music from Creighton's Collection
New Publication 19 November 2015

Die Birke (The Birch) by Monika Stadler
for Advanced Pedal Harp

This piece was written as a commissioned work for the Northern Light project by the Brucknerhaus Concert Hall, Linz, Austria. Monika chose the Birch tree to represent Scandinavia, and as a symbol of Spring and new beginnings. Her inspiration was the interplay between sunlight, wind and leaves. 

Published retail price £9.00

Available from Creighton's Collection 




Recording available:

Die Birke (The Birch) is recorded on the CD
"Everything will be all right" by Monika Stadler. 

Lever Harp Music: Golden Jubilee Collection

Golden Jubilee Collection
(1947-1997) 2015 Revised Edition
Bristol and West of England Branch of the Clarsach Society 

These harp pieces were collected together in 1997 as a celebration of harp playing in our area over the last fifty years. The pieces themselves were written by harpers who have been inspirational to us and the pieces vary in difficulty, as we are all at different stages in our harp playing. Our thanks must go to the people who have donated these pieces. This new edition has been re engraved but in a style to match the first edition. 

Published price £12.00 and is available directly from the Branch or from Creighton's Collection



Tunes in the book

Marsaili Stewart Skinner by Corrina Hewat
Kenmure’s up and awa’ arranged by Alison Kinnaird
A Welsh Medley arranged by Anne Macdearmid
Miss Violet Hooper by Anne Macdearmid
Auld Lang Syne arranged by IsobeI Mieras
Buain na Rainaich arranged by Isobel Mieras
Catriona by Isobel Mieras
The Lea Rig and The Cradle Song arranged by Hilary Middleton
The Horse’s Branle arranged by Pam Radford
Polca Rheilffordd Aberdâr arranged by Llio Rhydderch
The Music of Spey arranged by Patsy Seddon
Dancing Feet arranged by Patsy Seddon
The Spey in Spate arranged by Patsy Seddon
High Road to Linton arranged by Wendy Stewart
Roslin Castle arranged by Wendy Stewart
Breuddwyd y Frenhines arranged by Lon Wright
Bwthyn Fy Nain arranged by Lon Wright
Fead an Iolair arranged by Gráinne Yeats

Sample page from the book

New Harp Music: Diadem by David Evan Thomas

New Publication from Adlais Music Publishers

Diadem - Fantasy on the Welsh hymn-tune
David Evan Thomas

For intermediate/advanced pedal harp
Published retail price £8.00
Catalogue number Adlais 215
ISMN 979-0-57032-233-6


Further details at Adlais on line
www.adlaismusicpublishers.co.uk



Printed and distributed by Creighton's Collection
www.creightonscollection.co.uk

Composer's Note

Diadem, a fantasy on the Welsh hymn-tune, was written for the eminent Welsh harpist Elinor Bennett for premiere at the closing Gymanfa Ganu (hymn festival) of the 2014 North American Festival of Wales. The tune “Diadem” is most often sung in English to the words “All hail the power of Jesus's name”. The work breaks the tune into recognizable fragments, moving from rather free tempo to vigorous syncopations to a grand final presentation.

David Evan Thomas

David Evan Thomas has been honored with two McKnight Foundation Fellowships, an Award from the American Academy of Arts and Letters, and commissions from the Minnesota Orchestra and Saint Paul Chamber Orchestra. Born in Rochester, New York in 1958, Thomas studied at Northwestern University, Eastman School of Music, and with Dominick Argento at the University of Minnesota. Thomas has written several works on Welsh themes, including From the Land of Song for cello and piano, and Three Welsh Folk Songs for flute and piano (ALRY Publications). Thomas is the great-grandson of Rev. Thomas Bennett Thomas of Aberaeron, Wales. He lives in Minneapolis.

www.davidevanthomas.com

Pedals & Paws - Ben Creighton Griffiths

NEW CD RELEASE September 2015

Pedals & Paws 
Electro-Acoustic Jazz Harp
by Ben Creighton Griffiths

Recorded in 2015 Pedals & Paws is Benjamin's second Jazz Harp CD and features his own composition "Pedals & Paws" a suite for jazz harp as well as a selection of his arrangements of jazz standards. The CD also includes three bonus tracks where Ben is joined by Mathew Williams on percussion.

Buy this CD now - £12.00+ p&p

YouTube clip of one of the tracks from the CD

filmed at the studios during the recording of the CD

Tracks - Harp
1 Georgia On My Mind - Hoagy Carmichael     
2-6   Pedals And Paws - Ben Creighton Griffiths  
        Wake Up Call - Morning Walk - At the Top of the Stairs - Sleeping Schnauzer - Midnight Madness    
7 Chameleon - Herbie Hancock   
8 Dark Eyes - Traditional arranged Ben Creighton Griffiths
   
Bonus Tracks - Harp & Percussion
9 Fly Me to the Moon - Bart Howard    
10 So What - Miles Davies   
11 Chameleon (Alternate Take) – Herbie Hancock

CD Notes

Pedals and Paws My main difficulty with composition has often been struggling to find a character or an inspiration for my pieces. I had experimented with the idea of a jazz suite, moving through many different sub-genres, for a while, but the character of the piece had eluded me. In August of 2014 the character presented itself to me in the form of the pitter patter of tiny paws – Charlie Parker, the miniature Schnauzer. The suite, Pedals and Paws, chronicles a typical day in the life of Charlie. We start off with a relaxed swing movement, as he gradually wakes up and decides to start his day. Then he goes on an exciting mid morning walk, this is a funky riff based movement with a Bossa Nova feel. After lunch Charlie loves to sit at the top of the stairs and watch the world go by, the third movement takes us on a jazz waltz, followed by a slow ballad as he succumbs to an evening snooze. However he nearly always gets his energy back late at night before bed, and so we finish with an uptempo Blues.

I would like to thank the following: Kristian Evans for the recording and mixing of the solo session, and Cardiff University for the use of their studio and equipment. Alex Hawkes for filming and editing the videos that have gone up on Youtube in the run up to this album. Meurig Hailstone for mastering the album. Matthew Williams for his brilliant playing, recording, and mixing of the duo tracks, and Cathays Community Centre for providing a venue and studio gear for recording those tracks. My partner Sara-Jane Waters for the fantastic photos on the CD, and also for her amazing love, support, and patience with me. Julian Martin for his tireless tuition, support, inspiration, and enthusiasm for the harp within the genre, without his input there is no way this would've happened. My parents, who are the main driving force for me – literally, they drive me everywhere, as well as dad's production of the graphics, design, and printing of the CD. Finally I do have to thank the mutt himself – Charlie Parker – for being a dog and providing the inspiration for Pedals & Paws. Not that he can actually read this of course...

Ben Creighton Griffiths, September 2015

CD Credits

Musicians: Ben Creighton Griffiths (harp), Matthew Williams (percussion)
Harp: Camac 47 Big Blue Electro-Acoustic Pedal Harp

All tracks composer or arranged Ben Creighton Griffiths 
except 9 &10 arranged Ben Creighton Griffiths & Matthew Williams

Produced & Self Released: Ben Creighton Griffiths
MCPS: BJCG04

Tracks 1-8 recorded at Cardiff University
Recording & Mixing: Kristian Evans
Tracks 9-11 recorded at Cathays Community Centre
Recording & Mixing: Matthew Williams
Mastering (Tracks 1-11): Meurig Hailstone

Cover Design & Printing: Creighton’s Collection www.cccd.co.uk

Photography: Sara-Jane Waters 
Except colour photo of foot pedals: Lukášem Jancinou

ALL RIGHTS RESERVED 
Unauthorised public performance, broadcasting and copying of this recoding prohibited.
Copyright ©2015 Ben Creighton Griffiths.

Ben Creighton Griffiths - web site: www.bjcg.co.uk

 

Concerto for Pedal Harp - Savourna Stevenson

We are delighted to announce the publication of the CONCERTO for PEDAL HARP by Savourna Stevenson which Creighton's Collection is printing and distributing on behalf of Savourna Stevenson.

Concerto for Pedal Harp by Savourna Stevenson - Celebrating 200 years of the modern pedal harp and dedicated to the composers and players who championed the pedal harp through the 19th and 20th centuries. Commissioned by Holywell Music and subsidised by Creative Scotland.

This work was first premiered by international soloist Catrin Finch and the Scottish Ensemble in the summer of 2012 to mark the bicentenary of the invention of Erard’s double action mechanism for the pedal harp. Savourna’s concerto was well-received by audiences at performances in both Edinburgh and Glasgow, the Herald’s Michael Tumelty describing it as:

“…direct music, from the heart and to the heart, absolutely open and totally honest in its integrity and expressive qualities…The concerto, full of whole-tone and pentatonic implications, and lovingly played by Finch with expressive delicacy and an alluring sense of elan, is actually a voluptuously Romantic piece, unashamedly gorgeous in its first movement, with more than a hint of tango, a wonderfully touching sense of yearning, perhaps melancholy, in its second, and a darker, striking flavour of Bernard Hermann in the harmonies and mood of its finale.”

The cadenza in the first movement of the concerto is likely to be particularly interesting to those wishing to study or teach the work at an institution such as the Royal Academy of Music and would be an ideal audition piece.

For further information about the music please go to our information web site 
To purchase copies of the music please go to our online shop

Sarah Deere-Jones harp music

Creighton's Collection is delighted to announce that we are now printing and distributing harp sheet music on behalf of Sarah Deere-Jones and The Cornwall Harp Centre.

We have just completed work on the following 11 volumes all of which are now available as A4 stapled scores.

Please click the titles below for further information about any score or click here to view all the books in our on line shop.

Title	Instrumentation
Traditional Tunes from Cornwall	Lever / Pedal Harp
Twenty-one Easy Pieces for small Lap Harps	Lap / Lever Harp
Loch Coruisk Rhapsody	Lever / Pedal Harp
On Selworthy Beacon	Lever Harp
Cascaron	Lever / Pedal Harp
By a Woodland Stream	Lever Harp
'Fantasie' for Celtic Harp	Lever Harp
Twelve Tudor Pieces	Lever / Pedal / Historical Harp
Twelve Medieval Pieces	Lever / Pedal / Historical Harp
23 Pieces for Starters	Lap / Lever / Pedal Harp
Twelve Easy Pieces for Traditional Harp	Lap / Lever / Historical Harp

Sue Rothstein - Sheet Music for harp

We are pleased to announce that we now stock Sue Rothstein's music for harp. 

Beginner to Grade 5
A Walk in the Forest  - Lever / Pedal Harp
Animals on the Harp - Lever / Pedal Harp
Magical Animals on the Harp - Lever / Pedal Harp
The Dinopaur Duet Book - 2 Lever / Pedal Harps 
Intermediate
Dance of the Young Swan  - Pedal Harp  
Advanced
The Dream Studies - Pedal Harp
Three Moods - Pedal Harp
Lament - Pedal Harps & Strings
The English Patient - Pedal Harp



For further information and prices please visit our online shop